I met many new friends through the Narwastu Gamelan Ensemble. Many were Westerners who were studying gamelan for a year at the local university, the Indonesian Institute of the Arts. One night, they invited me out to an album release of record that was a compilation of new music by Balinese composers on traditional gamelan instruments.
I arrived to the record release party right on time as per the Facebook event, still used to the precision of Korean time. I forgot that the Balinese are on island time, which means the event wouldn’t start for another hour. The venue was also a coffee bar, so I got a coffee and sat there by myself watching everyone set up for the release party. Trying to not look as awkward as I felt, I began to talk to one of the local musicians there who was helping set up. Little did I know, he was the co-founder of the record label that was responsible for this album release, Insitu Recordings.
Insitu Recordings is not only a record label, but also an arts collective made up of composers and musicians from all around the world who share a passion for Balinese music. Co founded by I Putu Gede Sukaryana (Balot) and Jonathan Adams, Insitu Recordings uses traditional Balinese gamelan in new and innovate ways to create an entirely new sub-group of music. From playing Bach inventions on one of the various metallaphones, to adding an American style rock band to a traditional gamelan gong kebyar ensemble, Insitu is giving traditional Balinese gamelan music a fresh coat of paint and creating something new and exciting anyone around the world would enjoy. Every couple of months, Insitu Recordings releases an installment of music by various composers from all around Bali, and even some composers from the West. It is a platform for young and talented musicians and composers to showcase their music to the public and get their music out there in the international music world.
Balot and I ended up talking all night about what he wants to see happen in the Balinese music scene and how he want to change the way people view music here.
The Balinese are incredibly competitive when it comes to gamelan ensembles. Balot compared gamelan competitions to a war. He wants to change this idea of music being more than just a competition where someone is better than the other, he wants it to be more of a positive activity. “People aren’t playing for themselves anymore” Balot says. He wants to remind people that music is almost like therapy because it is a reflection of one’s self. Because of Balot and Insitu Recordings, more and more contemporary composers are allowed to showcase and celebrate their talent on a broader spectrum while still respecting the Balinese music tradition.
Balot’s over all mission for Insitu Recordings opened my mind. What if I don’t completely focus on just women in percussion? What if I go even farther? I realized that although it is good to focus on women in traditional percussion ensembles and see how they have essentially “stuck it to the man” in regards of playing instruments that are traditionally only for men. But if I focused solely on women-only projects, I felt like I was doing the same thing to men that they have been doing to women all of these years. They are 50% of the population. If they have a musical mission that interests me that is made for the common good of the community, I should research, study, and learn from them as much as any other woman I have studied thus far.
This got me thinking. Women are choosing now to drum; not just for the sake of drumming, although I know that is quite an important factor, but they’re doing it to foster change for the better in their community. When Nidhi, Michelle, Leontine, etc. taught children how to play drums, they didn’t just teach girls, they taught any and everyone for the greater good of their community. They aren’t there to find the next Mozart, however, it doesn’t hurt if you find one, they’re using music to spark change and hope to anyone who wants to play along. Whether you’re a victim of domestic abuse, have HIV/AIDS, trying to find your next meal, or just want to play on a drum for the fun of it, they are there for you, using MUSIC FOR CHANGE.
I had my aha-moment. I know it might sound like a simple concept, and that I’ve even done outreach for children during my time at Rice, how did I not think of this before? During those music outreach days back in Texas, I didn’t feel like I was actually making a difference with an hour presentation. Maybe I did for some of the kids, but the feeling I experienced during my first half of my fellowship was incomparable. It was more than a music class for for kids I studied, it was therapy. This changed the attitudes of many people and was then directly poured into that community. Music fosters confidence and hope in people who originally think that things aren’t possible, that things aren’t going to get better. By seeing and learning first hand from the amazing women in Africa, I’ve learned that Balot is doing the same thing, but in Bali. By using gamelan as a starting point, Balot has allowed many new composers see that there is more to see out there. “We need to gain perspective and see what is out there while still respecting the Balinese tradition”. Because of Balot, there is now a community of young composers and musicians in Bali who can collaborate and make music that which they can share with the world.
I was so excited that night that I had a break through. I had a new burst of energy and inspiration for my project. I thought to myself, “This. This is what I want to bring back home and do with my life”. I left the release party with a CD of the new album and plans to meet with Balot again, and got a celebratory Cuban sandwich and ginger ale from my sandwich guy down by the beach.
You can check out the amazing new compositions of Bali’s talented young composers HERE. Support the arts and buy some of the music! Be the cool hipster that has worldly music on your iPhone when you backseat DJ and everyone automatically thinks you’re deep or something!
I have a “food guy” in each place I live for a go-to meal. Just insert a different food before “guy” in each country:
-South African coffee guy: His place was really close my hostel and we got to talking after he noticed me stretching in my really weird contortionist-ways with my arms while writing and yelled out loud “good god what?!” Then his dog peed on my white shoes. Whatever. His place had great coffee.
-Rwandan banana muffin guy: Another coffee shop where that monkey (pictured in one of my previous blogs) would just chill and stare at me…maybe he was just staring at my muffin. My ultimate go-to snack while working on my blog
-Korea fried chicken guy: There’s a little known fact that Korea is famous for their chicken and beer. Well, I thought it would be too lame to go to an actual restaurant by myself for dinner still at this point (I eventually got over that fear in India), so there was a guy with a GIANT wok in the main shopping district in Seoul with fried chicken made by the gods. Perfect lonely people snack
-Balinese Cuban sandwich guy: The sanitation was questionable, but I had an iron stomach after Rwanda. Plus nothing beat having an ice cold ginger ale outside the 7/11 with my favorite stray cat I befriended and would feed her the scraps. I swear I had human friends, too.
2 thoughts on “Balot and Insitu Recordings”
This one was 👌!
Love this blog. I think it’s one of my favorites!
Sent from my iPhone